Maureen O’Flynn2022-09-15T14:46:17+00:00

I am Maureen…

And I am an artist, lover, and seeker of the Voice. For 33 years, I travelled the globe singing leading soprano roles in the worlds greatest opera houses, and I’m currently continuing a 42 year + career as a singer and actor in theater, musical theater, cabaret, voiceover, and narration. I am Maureen… And for the past 15 years, I have taught voice and given master classes all over the world; at summer festivals, opera programs, colleges and music schools, and maintained private voice studios in New York City and the Berkshires. My students range from 15 to 80 yrs old; aspiring artists, working pros, non-professionals, and all voice types. I teach classical/opera, musical theater, and pop. I am Maureen… And I am a tree hugger, a rising Phoenix, an empath, an advocate for women and against abuse, and a survivor of trauma and sexual assault. And I believe in the power and healing of the human voice.

“When love first tasted the lips of being human, it started singing.”  Rumi-

See my Theatre Resume
Curriculum Vitae

Tree Voice Musings

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What people are saying….

My Fair Lady/Berkshire Theatre Festival
“The star of this marvelous evening is Maureen O’Flynn whose arias sore so effortlessly and who’s pebble-filled mouth can emit such yowls. She gives us a character who not only delights but who grows before our eyes. Her quiet, dignity, fueled by anger, as Higgins gloat over his successes contains wise maturity … O’Flynn’s skill as an actress matches that of her singing.”
Francis Ben Hall, Albany Times Union

La Traviata/Berkshire Opera
“Soprano Maureen O’Flynn is a complete and compelling actress… She was overwhelming – agile and silvery in the coloratura of Act I, every feverish trill in place, and intimately communicative in the later acts, in which her vibrant tone responded to the pressure of every emotional nuance of situation, text, and music. She sang…with tenderness, regret, and unearthly, shimmering high soft tones. You can see huge emotion surge through the soprano’s tiny body. Her face is unguarded, vulnerable, and led by truth-telling eyes. To watch her in the moment when Violetta realizes that she is indeed going to die, that even Alfredo’s return cannot save her, was almost unendurable, and her passionate outcry of protest to God tore at the heart.”  Richard Dyer, Boston Globe

Lucia di Lammermoor/Philadelphia Opera
“Maureen O’Flynn deserved a queen’s crown for her Lucia. Her pristine soprano was so incredibly effortless, so free of the tiniest hint of any stress that it could serve as a model for any other aspiring Lucia …. O’Flynn acted with intense feeling. In her hands, and voice, the famous Mad Scene … was nothing less than incredible … elegantly airy coloratura coupled with delicacy of interpretation, O’Flynn stunningly characterized the shattered Lucia. If this wasn’t a definitive Mad Scene, nothing is.” Joseph Pronechen, Philadelphia Inquirer

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